KIP HANRAHAN TENDERNESS STING, DIAHNNE ABBOTT, CARMEN LUNDY, LUCY PENEBAZ, FERNANDO SAUNDERS, KIP HANRAHAN, ROBBIE AMEEN, ANDY GONZALEZ, GIOVANNI HIDALGO, LEO NOCENTELLI, DON PULLEN, ALFREDO TRIFF, CHOCOLATE ARMANTEROS, CHICO FREEMAN, MILTON CARDONA, RICHIE FLORES, IGNACIO BERROA, ANDREW CYRILLE, MARVIN SMITH, CECILIA ENGELHARDT Produced by Kip Hanrahan Recorded July, December 1988/April, August, September 1989/January, FebruaryÜ European release: June 1990 US release: January 1993 AMCL 1016/1017 |
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"...This album is about arriving at that sexy state of grace called "Tenderness,"
which is no mean feat, interpersonally or musically. Hanrahan's album demonstrates
that musicians who love risk and challenge, who aren't afraid to smash
through cross cultural stylistic walls, are those who communicate the highest
state of tenderness."
- Norman Weinstein, Los Angeles Reader, September 7, 1990 "...the object is beautiful. A dark voice, thousands of drums, clearly identifiable, a enigmatic atmosphere to be explored, immediately.." - Sylvain Siclier, Affiche (France) "...If there were such a category as 'musica erotica', this would qualify. But don't expect heavy breathing. This has depth. Hanrahan takes you on a psycho-sexual journey that throbs with passion. Not for the faint hearted, this is a turn-on for men as well as women. The lyrics explore sensuality like forbidden fruit. The music is a driving, grinding pulsating mix of rhythms. And that's just the intro! ...Tenderness is a story, a feeling and a sound concept captured with absolute mastery. Listen to it with someone you love." -Jazz Quarterly Plenty of great musicians who've tried to forge a global language out of the boiling stew of Pan-American rhythms and melodies have come up empty - producing music with no cultural imperative, not guts and no soul. But on Tenderness... Kip Hanrahan achieves something of a miracle: a music that reaches across the cultural divide and emerges as sensuous, jarring, provocative, wryly hilarious and profoundly beautiful. ...Awesome." -Jory Farr, The Press Enterprise (Riverside, CA) "...the rhythmically riveting song cycle uses archetypes of courting and coupling as its conceptual pe, and a mating dance dialogue between first person singular, male first person singular, female ... Hanrahan has managed another fiery fusion that makes terms like 'eclectic world beat' seem beside the point." -Bob Townsend, -Atlanta Journal Constitution |
